Sprucing Up The Three Sisters Student Union 

29 September, 2017

Painting in another historic Edinburgh venue


Last year I spent time painting various spots in The Three Sisters, a famous pub on Edinburgh’s Cowgate. The venue was named after the three Mackinnon sisters Cath, Kitty, and Maggie, famous in the 1740s for gracing Edinburgh stages with their singing, dancing and beauty. It is a large complex of bars, and inside this network of rooms is housed Edinburgh’s Student Union Bar. 

The Three Sisters asked me back this year to further improve the Student Union. This time I took on a tired and bedraggled looking corridor which before I arrived, wouldn’t have looked out of place in a 1970s office block. They wanted some new artwork that was very Edinburgh-themed, would energise the space, and had some relevance to the diverse university students who frequent the space. 

 

The main wall in the corridor now has an impressionist vista of Edinburgh with the castle illuminated by the world famous bi-annual fireworks display. 

I took the artwork onto the ceiling as well as the walls in order to give the area an immersive feel. As the scene moved further away from the firework end of the corridor, the idea was to give it a ‘starry night’ / Van Gogh inspired look. The Three  Sisters also had me paint the walls at the far end with notable university buildings from around the city. 

On a completely different theme, The Three Sisters asked me to reflect the Cowgate location of the bar in another mural. The venue is surrounded by a maze of vaulted arches that hold the buildings of the area up, and so I painted a map to the vaults under George IV Bridge with a pop art/brightly coloured feel. 

The whole job was done to deadline in under a week, just after the Edinburgh Festival finished but before the onslaught of students for Freshers Week.

Fingers crossed it will keep the students happy and ultimately lead to increased footfall through the door – always the mark of a successful project for me! 

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Edinburgh Rugby Kyloe Cow On the Moove

28 September, 2017

Continuing collaboration with Kyloe restaurant; painting their life-sized fibreglass cows. 

Chris securing the new Edinburgh Rugby Club cow outside Kyloe restaurant in the West End with Edinburgh Castle in the distance.

Over the years I’ve painted a succession of cows with various themes for Kyloe. We switch over the cows on a regular basis so that they are seasonally relevant and stay fresh for passersby. 

The restaurant has watched the foot traffic outside via their CCTV and estimate that the cow has its photo taken once every two minutes. It functions as a huge social media envoy and doorman for the restaurant, acting as a hook to let people know that the restaurant is there. This is important as the restaurant is a first floor establishment and is only accessible through the Huxley, its sister pub at ground level. 

One of the initial designs for the Edinburgh Rugby Club cow, which was eventually modified in the final execution.

The cows are branded with the restaurant’s logo to help increase the restaurant’s profile on social media and on the street. Kyloe is an award-winning steak restaurant so the cow is bang on theme for the beef aficionado. I take my responsibility in painting this very seriously. The cow’s location is the first thing you see when you step onto Princes Street from the West End, and I think the quality of the paint job that I do should reflect the calibre of Kyloe, the top steak restaurant in Edinburgh.

Working on the cow in the studio.

Kyloe restaurant and The Huxley bar are on the route to Murrayfield Stadium and both have a strong history as a rugby supporting venues; the last cow that I painted was a personal favourite and was ‘Tartan Army’ themed. 

The latest cow celebrates the restaurant’s new sponsorship of Edinburgh Rugby Club. Decked out in the Edinburgh Rugby colours and an Edinburgh Rugby coloured tartan kilt and skull cap, I’ve made it look like a bit of a roughneck. 

Painting the underside of the beast requires a touch of cow-tipping.

Kyloe is also taking on organising the catering in the hospitality tent at Edinburgh Rugby’s home ground Myreside, so in this brief I had to keep both clients happy. 

Hand over of the cows – they are switched on a regular basis to reflect different seasons and events.

The final paint job has gone down very well with the staff and customers, and players from the team have been by a number of times to pose with their biggest supporter. 

Chris and two of the Kyloe cows with Edinburgh Castle in the background.

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Santa Invades Norwich Castle

2 December, 2016

Projecting Paintings onto Norwich Castle

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Footage of Chris (live painting, while dressed as Santa) is projected onto Norwich Castle as part of their Christmas celebrations. Photo courtesy Adam Robertson/Double Take Projections.

In  October 2016 I was asked by Edinburgh-based Double Take Projections (who specialise in large-scale projections nationwide) if I would produce some paintings specifically to create some time lapse footage for the city of Norwich’s 2016 Christmas celebrations. As Double Take Projections are top professionals in the field with a track history of success, the Norwich Business Improvement District (BID) approached them to “paint” a number of local landmark buildings with projected animations and time-lapse footage.

Painting in front of time-lapse cameras has become an intrinsic part of my working practice over the past few years. Working in collaboration with editor Mettje Hunneman, I have now produced more than 20 short films which document my work process in this way. In addition to being a great publicity device and adding to my social media profile, I also find that the presence of time-lapse cameras provides me with added creative focus. The performance element of producing paintings on film keeps me engaged with the canvas and it forces me to be braver in my output. Furthermore, filming encourages me to keep working regardless of physical discomfort or tiredness, thereby increasing my productivity.

 

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Chris being photographed and filmed while painting a Christmas mural in his studio in Edinburgh. Photo courtesy Adam Robertson/Double Take Projections.

For three days at the end of October I painted in the studio while dressed as Santa (complete with a partially moulting fake white beard) while cameraman Adam Robertson kept a watchful eye on proceedings.

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Working on the Norwich BID logo in the studio in Edinburgh. Photo courtesy Adam Robertson/Double Take Projections.
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The painted Norwich BID logo is projected onto Norwich Castle. Photo courtesy Adam Robertson/Double Take Projections.

The images grew exponentially in size as the days rolled on; I began with an A0-size evolving painted Norwich BID logo, followed by a Norwich street scene measuring four feet by five feet, before finishing with an eight foot by twelve foot mini mural designed as a massive Norwich-themed Christmas card. I painted Santa himself in the the background and local celebrities Delia Smith and Stephen Fry pulling a cracker in the foreground. The conceptual idea was that the live action Santa ‘character’ (me) would begin as just a hand in the frame while painting the logo, but then would become increasingly dwarfed by the painting as the film unfolded.

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Chris painting the Christmas mural in the studio in Edinburgh. Stephen Fry is at right, and Delia Smith is awaiting painting at left. Photo courtesy Adam Robertson/Double Take Projections.
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Chris with the finished painting in the studio in Edinburgh. Photo courtesy Adam Robertson/Double Take Projections.

All the years of event painting proved to be very useful in this venture as I now know that the camera likes me to act decisively, and ideally I need to make big decisions as I go. It was also nice to find a different format for that experience with this project.

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Painting projections on Norwich Castle. Photo courtesy Adam Robertson/Double Take Projections.

In late November I visited Norwich for a day while en route to London, in order to see the projection installed in the city. It was most bizarre to see myself on such a large scale, even if I was in my Santa disguise. I have friends in Norwich who will have to look at Santa’s bottom for the whole seven week run and know that it’s me, which can only increase their festive cheer.

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Painting projections on Norwich Castle. Photo courtesy Adam Robertson/Double Take Projections.

The main thing is that the footage and the animations that Double Take Productions created alongside the mural looked fantastic, and it came together to help create exhilarating and atmospheric new Christmas festivities in Norwich. For me personally, it’s really exciting that my time-lapse experiences can combine so seamlessly with my illustration skills. The footage that we generated was almost instantly created in conjunction with the computer animations and it really increased the quality of the product and the feeling of joy in the whole city.

Categories: Murals

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Artists Riot in the Streets

22 November, 2016

Agitating with the ADP Riot Tour

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Artists Chris Rutterford and Elph assessing their work while standing in front of the ADP shipping container, which houses a vast post-apocalyptic landscape viewable through tiny portholes.

The Aftermath Dislocation Principle (ADP) is a trilogy of artworks by Jimmy Cauty on a nationwide tour across the UK – each artwork is a 1:87 scale model housed in a shipping container, which are viewed through observation ports in the sides of the containers. It was also installed at Dismaland, the temporary art project organised by street artist Banksy and constructed in the seaside resort town of Weston-super-Mare in Somerset, England in 2015.

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View through one of the tiny portholes into the ADP shipping container.

 

The artwork has been touring the UK in 2016, specifically appearing in venues where there has been a history of rioting. Edinburgh’s Grassmarket was chosen as one of the tours destinations as it was the scene of the 1736 Porteous Riots, when Captain John Porteous, an unpopular chief of the City Guard, was overseeing the hanging of a local smuggler Andrew Wilson. When the watching crowds began to get unruly, Captain Porteous instructed the City Guard to shoot above the crowd’s heads and they subsequently wounded local residents who were watching from tenement windows. This exacerbated the already volatile situation, at which point Porteous instructed the the City Guard to shoot into the crowd, resulting in the deaths of six people.

 

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The Porteous Mob, painted in 1855 by James Drummond, RSA FSA (1816–1877).

Captain Porteous was arrested for murder but after discovering that plans were afoot to arrange a pardon for him, a mob converged on the Tolbooth on the Royal Mile and he was dragged out of his prison cell and back down to the Grassmarket, where he was lynched, dying a deeply unpleasant death. Captain Porteous was buried in the adjacent Greyfriars Kirkyard in a grave marked with a simple ‘P’. This was replaced in 1973 by a stone bearing his full name and the moniker ‘All passion spent’.

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Ahead of the closing weekend of the ADP Riot Tour’s installation in Edinburgh, I was asked by the Greater Grassmarket Business Improvement District (BID) and events organisers Too Much Fun Club to paint a mural of the scene alongside renowned Scottish street artist and illustrator, Elph. Working on connected octagonal boards, Elph and I engaged visitors to the Grassmarket as we worked on our separate but related public art works.

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Elph invited audience participation with hands-on painting by the public, and I convinced visitors to pose for portraits to be incorporated into the scene. My crowd scene painting was inspired in part by James Drummond RSA who painted the riot in 1855.

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The detritus of live painting.

Our pictures were situated back to back over the weekend and it was really great to have the two different styles complement and contrast one another and in an unintentional twist, even our clothes ended up matching our paintings.

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Artists Chris Rutterford and Elph with their artwork and unintentionally matching clothing.

Elph also created some fantastic 360 degree footage of the two murals which can be viewed here: Elph 1 and Elph 2 

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Chris Rutterford working on his Porteous Riots mural in the shadow of Edinburgh Castle.
Categories: Grassmarket, Murals

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Pirates of Clanranald at Culross Palace

26 September, 2016

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Continuing my live painting adventures in collaboration with the fearsome Clanranald Trust for Scotland, in July I painted at their pirate themed weekend. 

clr2016-09-23-17-00-07The setting was the glorious Culross Palace, a beautiful 16th century merchant’s house in Fife which has featured prominently as a location in the television programme Outlander.

23-07-2016_img_7805webThis is the second time that I’ve painted at a pirate event with the Clan, so I brought last year’s Boarding Party mural as an additional backdrop, which really helped set the scene and brought an added feel of the sea to the occasion.

clr2016-09-23-16-57-47The Clan put on a fantastic and professional show as usual. Culross Palace was filled with a motley crew of pirates and red coats, and the public revelled in the theatrical antics of the professional rogues.

clr2016-09-23-16-59-23Clanranald’s engaging and educational all-action living history re-enactments were scattered throughout the historic rooms, gardens and courtyards of the Palace.

clr2016-09-23-16-57-51Dressed as a pirate throughout the event, I spent the weekend attempting to capture the atmosphere of the event and tell the tale of what I saw.

Special thanks to Clanranald and Lorna McLean for the use of some of their photos.

Categories: Murals, Scotland

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