Thistle Street: Art On The Street Event

9 May, 2018

Chris talking to Thistle Street visitors about his epic Tam o’Shanter mural.

Bringing Art to Thistle Street

Recently I was approached by the Thistle Street Residents Committee to help with ‘Art on the Street’, a new public event celebrating the central Edinburgh street. Planned in 1767 as part of James Craig’s design and named after the national flower of Scotland, Thistle Street’s current residents and businesses wanted to create a unique Bank Holiday Monday experience that showcased all that the Georgian street has to offer.

Visitors walking past the Hogmanay mural installed on Thistle Street.

For me, Thistle Street seemed like the perfect place to show a selection of my Scottish-themed murals. Some of these paintings are so big that they need an extremely large wall space in order to appreciate them, and the long stone walls of Thistle Street offered the perfect opportunity to do this.

The Porteous Riot mural installed on Thistle Street.

A Hook for Bank Holiday Monday

At an early planning meeting it was clear that residents and businesses alike were excited at the prospect of a vibrant new event on the street. Plans were afoot to bring music and art to the event, but as a dad myself, I felt that content and activities for children was a wee bit lacking. In order for families to want to visit, I knew that there needed to be a “hook”, and with this in mind, I came up with the bright idea of a colouring event for the children. I have a lot of previous experience working with kids on large scale projects, and so I came up with the idea of having them chalk the streets, but with enough structure and focus that the drawings were appropriate for the event.

Chris applying washable chalk spray paint to one of his large scale transfers, which children could colour in later.

 

 

I designed some large scale Celtic shields – massive stencils that I could apply to the street with temporary chalk spray and which would create a long border down the road. We then successfully trialled it at an open studios event at Custom House, using the alley behind our studio and coaxing young visitors to take part.

Single board painting “Cannon” outside Thistle Sandwich Bar on Thistle Street.
Grassmarket Penny Farthing painting adding atmosphere to Thistle Street.

On the morning of the event I lined the street with a number of my board murals. We were blessed with extraordinarily gorgeous weather and no wind, so we took advantage of this with metres of murals placed against the Georgian stone buildings.

The epic murals are dwarfed by the Georgian stone buildings of Thistle Street.

My Tam o’Shanter mural (which consists of 8 boards measuring a total of 22 metres long by 2 metres high) and the massive Hogmanay mural (the entire image is 22 metres long by 2 metres high) were put at either end of the street to set the scene. In the middle of the length of Thistle Street I curved my Maggie Dickson mural like a small stage, and throughout the day I told Maggie’s lurid story to interested passersby. Peppered along the street were other counterpoint murals, including the 1736 Porteous Riots, and several pirate paintings.

Chris installing his Maggie Dickson mural on Thistle Street in the morning. The double-sided historical mural can be exhibited in a variety of ways, creating an amphitheatre-like set up, perfect for storytelling.

The chalk colouring project was a big success with waves of children getting stuck in (while their relieved parents enjoyed a seat on the sunny side of the street) and the cobbled streets looked resplendent by the end of the day.

A view from one of the upper flats on Thistle Street showing the temporary chalk murals created by visiting children during the event.

As well as me, the street was filled with other artists and their work. In particular, the nearby Edinburgh Drawing School set up shop and had a live drawing class where visitors of all ages could get some hands-on teaching in the sunshine.

Children working on the street murals with large sticks of chalk.
Visitors enjoying the sunshine and interactive art projects available during the Bank Holiday Monday event on Thistle Street.

There was also a range of live music filtering through the street, which provided added further ambience, and the passersby, visitors and residents alike thoroughly enjoyed the pop up mural trail and the day in the sun.

Piper James MacDonald Reid playing Czech bagpipes during the Thistle Street event.
Chris telling the lurid story of “Half-Hangit Maggie” Dickson to Thistle Street visitors.

Categories: Art, Murals, Scotland

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A Custom House Christmas

21 December, 2016

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The digital flier for the Christmas event, showcasing the neoclassical Georgian building in which we now work.

Celebrating the Season at Leith Custom House 
 

After six years at my previous studio at St Margaret’s House in Edinburgh, I recently moved to Custom House in Leith; a stunning neoclassical pillared building that is a central landmark on the Leith landscape. After a prolonged period as the National Museums of Scotland’s storage facility, this A-List Georgian building is now being managed by the Scottish Historic Buildings Trust who are encouraging a wide variety of creative people to build a new hive of activity in the heart of Leith.

There are two distinct buildings on the site: a the larger, more grand building situated on the corner of the Commercial Street and the Water of Leith, and the “cruiser” store, located behind the main building on a narrow cobbled lane that has been hidden from view for years. My new studio backs directly onto this lane via an extremely handy loading bay and this provides me with much better access for loading my often bulky murals.

Even more exciting however is the nascent creative community that is burgeoning within the space. The Christmas event on 17th and 18th December was the first open studio day that I’d been involved in at the Custom House since the move and therefore I thought I’d celebrate by undertaking my first live painting event in the new space.

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Studio manager Sheila Masson at work covering the walls of the loading baywith an undercoat of emulsion.
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The loading bay makeover fully underway as it is transformed into a Narnia-themed space.

The large loading bay was an extremely bland and tired-looking area so with the blessing of SBHT Director Una Richards, we set out to give it a seasonal makeover. As our new studio opens directly onto this space, I felt it was extremely important it project the creativity and joy that the new building and its new tenants aspire to. I enlisted my studio manager Sheila Masson – a talented artist (as well as a powerful brain) and we started work on the Wednesday afternoon, priming the space in preparation for our plan.

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Sheila and Chris adhering to health and safety during extensive spray work in the loading bay.
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A gigantic Aslan appears out of the snowy landscape in the loading bay.
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Sheila flexing her muscles on the scaffolding as she applies spray painted hand-cut stencils late into the evening.

We decided to paint a Narnia themed mural as although there is a Christmas element to the story, it does not define it, so therefore the mural will remain relevant till spring. We spray painted a snowy landscape with a large scale Aslan and the ubiquitous lamp post front and centre. Sheila made a number of beautiful snow stencils that really set the tone and we quickly built an atmospheric frosted landscape.

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Detail of some of the stencilling and freehand collaborative work that Sheila and Chris created on the loading bay walls.
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Detail of some of the stencilling and freehand collaborative work that Sheila and Chris created on the loading bay walls.

Come the main event on the Saturday however it was important that we kept spray paints to a minimum due to the health and safety issues (and the pong!). The alley was filled food stalls and visitors to the building as well as regular Leith Farmers Market shoppers who wandered into the newly revealed space.

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Visitors to Leith Custom House wandering through the loading bay and out into Custom Lane, where they could enjoy hot food and do a spot of Christmas shopping.
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We also set up a stall of our own posters, prints, postcards and t-shirts (also available on our website if you missed out!) which were very popular for Christmas presents.
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Chris painting life size cut outs during the Christmas event at Leith Custom House.
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Santa nestled in the loading bay.

Moving on from the spray painted walls I changed my focus to shaped life size characters from the book, cut from large sheets of wooden board. I snared a few tenants and SHBT friends to pose for the The White Witch, her dwarf, Mr. Tumnus and a large scale Santa.

To keep the characters on theme and to compliment the visuals in the loading bay, I reused Sheila’s stencils to add surface detailing. The end result had a vibrancy reminiscent of textile design or a Rauschenberg painting.

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Detail of the White Witch’s dress which utilises some of the stencils that Sheila made for the loading bay walls.
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Stencils drying on the scaffolding during the painting of the loading bay.

The joy for me in collaboration is that every new partner brings fresh tools to the army and in this way Sheila’s stencils and application to the cause really enriched the product and added a further depth and subtlety to my directness and drive. 

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Interaction between Chris’s freehand and Sheila’s stencilled spray work.
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Three of the Narnia cut out characters inserted into their virtual stage set in the newly painted loading bay.

The loading bay mural is now established and the plan is to periodically adapt the visuals over the coming months and years. The hope is the magic will be infectious and over the coming years the building will permanently acquire some of the magic of Narnia.

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Continuing collaborations with Edinburgh’s Greater Grassmarket BID

21 November, 2016

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Chris live-painting his Penny Farthing mini mural in the Grassmarket on September 24, 2016.

Live-Painting in Edinburgh’s Historic Grassmarket

The Greater Grassmarket Business Improvement District is a five-year project (starting February 2013) where all businesses within the defined area have come together to invest collectively to benefit business and local economy growth through local improvements, activities and business support in addition to those delivered by City of Edinburgh Council and Scottish Government. Their objectives include creating a sense of place, attracting more footfall to the area and raising the profile and improving the perception of the area, and I am delighted to be involved in these ambitions.

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Foreign visitors to Edinburgh capturing Chris’s live-painting event in the Grassmarket.
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Chris live-painting the Penny Farthing mini mural at left, while his Half Hangit Maggie Dickson mural acts as an appropriate backdrop for the performance stage in the Grassmarket.

In 2014 I created my Half Hangit Maggie Dickson mural within this Greater Grassmarket BID area, live painting onsite the notorious story of the one of the areas most famous residents – a fishwife from Musselburgh who was hanged in the Grassmarket on the 2nd of September 1724 for murdering her illegitimate newborn baby. Miraculously she survived the hanging and as she could not be executed for a second time for the same crime, she received a full pardon and went on to live a long life, garnering the nickname ‘Half Hangit’ Maggie.’

 

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Chris’s Half Hangit Maggie Dickson mural acts as an appropriate backdrop for the performance stage in the Grassmarket.

In September of this year, the Greater Grassmarket BID events team led by Callum Ross wanted some extra colour in their proposed ‘Mobility Week’. Designed to celebrate mobility in all forms and set it within the historic context of the Grassmarket, they commissioned a diverse group of performers which included musicians, actors and even penny farthing demonstrations running up and down the square.

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Chris’s Half Hangit Maggie Dickson mural acts as an appropriate backdrop for the performance stage in the Grassmarket.

I was asked to provide some pictorial colour and I produced a two metre by two metre Victorian-era painting of two men on penny farthings racing a donkey-riding man through the Grassmarket. I took inspiration from the classic beachside postcards produced by Donald McGill in the early to mid 20th century, and built a painting that was fun and light humoured, very much in keeping with the spirit of the day

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Black and white and colour illustrations are the initial planning drawings for the Penny Farthing mini mural

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As always I asked visitors at the event to participate as characters in the picture, and they really entered the spirit of the piece. In addition to the new painting, I took my Maggie Dickson mural along and it was used as an evocative backdrop for the performers on the stage beside me. If possible it’s always nice to have some visual context from one of my previous artworks and visitors seem to enjoy seeing other finished pieces.

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Above: Jason Fricke, an American visitor to the Grassmarket, gets in character – and ends up in the mural (see final piece below).

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The event was held on my birthday and was a splendid way to spend the day, which was topped off by the best pastry ever delivered by Sheila, my studio manager.

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The (almost) finished Penny Farthing mini mural, being worked on back in the studio.

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Unveiling the new Galashiels Gateway Mural

3 October, 2016

 

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Photo copyright Phil Wilkinson www.philwilkinson.net


In late 2015 I had a meeting with a local Scottish Borders community organisation called Energise Galashiels. Once dominated by a thriving textile industry and the subject of two Robert Burns poems, the group were concerned that Gala town centre was becoming bedraggled and they were resolved to rectify this.

The opportunity to work with a motivated local group in order to help change the destiny of a town seemed like another exciting artistic adventure. I had worked on a similar project in the Midlothian area of Mayfield and Easthouses, creating a community mural with school kids to enliven the entrance to their town.

 

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A montage of the Galashiels mural site, showing the “before”, a composite with the proposed drawing plans applied, and an “after” view.

 

 

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Some inspiration for the mural – The Railway Station by William Powell Frith, William Powell, 1862.
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An early drawing plan for the mural.

We resolved to launch a new crowd mural using the impending visit of the iconic Flying Scotsman train both as subject matter and as a launch event. I brought my train to town on 12 bespoke five foot squared canvas boards and locals were invited to put their friends and family into the picture for a modest donation.

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Galashiels locals posing for photo reference before being painted into the mural.
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Michelle and Liz of “Liz’s Gifts” shop on Douglas Bridge, posing for photo reference before being painted into the mural.
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A local train buff and former train driver posing for photo reference before being painted into the mural.

Dressed in my usual painting regalia (a leather kilt, tweed waistcoat and top hat) I worked in town from Friday morning through till Sunday evening, painting the picture and collecting photo reference in the form of portraits of Gala locals. I had helpers in the form of two young painters named Kat and Robbie, plus my mate Charlie and two Sheilas (Sheila Armstrong and Sheila Robertson), who worked as a team gathering the reference material. My kids Red and Riley also helped on the Sunday.

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Working with Kat and Robbie on site in Galashiels.

After the live painting event in Galashiels, I took the picture back to Edinburgh’s Tron Kirk which was my main Edinburgh painting base at the time. I worked on it publicly for the next four months on and off, which basically involved digging my way out from underneath the mountain of photo reference that we had collected. I also painted a mixed selection of Galashiels notables and celebrities into the picture… and also Scottish TV favourite Lorraine kelly who always features in my pictures.

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The mural in progress inside the atmospheric Tron Kirk in Edinburgh.
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Working on the mural inside the Tron Kirk in Edinburgh.

The finished painting was unveiled in Galashiels by Lord David Steel on October 1st, during the inaugural Creative Coathanger festival which featured a fortnight of events and artistic activity designed to cement Gala’s place as a creative hub for the borders and take advantage of the brand new train link. Many excited participants gathered in front of the mural to find themselves amongst the painted crowds and the event garnered articles in all the Scottish newspapers and on STV Borders.

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Unveiling the mural in Galashiels with Sir David Steel and Energise Galashiels chair Mike Gray.
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Galashiels locals checking out the new mural on the unveiling day.
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A Galashiels local with her dog (who appears in the mural by itself).

The real hope is that this brand new and welcoming imagery at the doorway of the town will help create a new story for the community and support the forging of a bright future for Galashiels.

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The finished Galashiels mural.
Categories: Murals, Scotland

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Pirates of Clanranald at Culross Palace

26 September, 2016

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Continuing my live painting adventures in collaboration with the fearsome Clanranald Trust for Scotland, in July I painted at their pirate themed weekend. 

clr2016-09-23-17-00-07The setting was the glorious Culross Palace, a beautiful 16th century merchant’s house in Fife which has featured prominently as a location in the television programme Outlander.

23-07-2016_img_7805webThis is the second time that I’ve painted at a pirate event with the Clan, so I brought last year’s Boarding Party mural as an additional backdrop, which really helped set the scene and brought an added feel of the sea to the occasion.

clr2016-09-23-16-57-47The Clan put on a fantastic and professional show as usual. Culross Palace was filled with a motley crew of pirates and red coats, and the public revelled in the theatrical antics of the professional rogues.

clr2016-09-23-16-59-23Clanranald’s engaging and educational all-action living history re-enactments were scattered throughout the historic rooms, gardens and courtyards of the Palace.

clr2016-09-23-16-57-51Dressed as a pirate throughout the event, I spent the weekend attempting to capture the atmosphere of the event and tell the tale of what I saw.

Special thanks to Clanranald and Lorna McLean for the use of some of their photos.

Categories: Murals, Scotland

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