Last year I spent time painting various spots in The Three Sisters, a famous pub on Edinburgh’s Cowgate. The venue was named after the three Mackinnon sisters Cath, Kitty, and Maggie, famous in the 1740s for gracing Edinburgh stages with their singing, dancing and beauty. It is a large complex of bars, and inside this network of rooms is housed Edinburgh’s Student Union Bar.
The Three Sisters asked me back this year to further improve the Student Union. This time I took on a tired and bedraggled looking corridor which before I arrived, wouldn’t have looked out of place in a 1970s office block. They wanted some new artwork that was very Edinburgh-themed, would energise the space, and had some relevance to the diverse university students who frequent the space.
The main wall in the corridor now has an impressionist vista of Edinburgh with the castle illuminated by the world famous bi-annual fireworks display.
I took the artwork onto the ceiling as well as the walls in order to give the area an immersive feel. As the scene moved further away from the firework end of the corridor, the idea was to give it a ‘starry night’ / Van Gogh inspired look. The ThreeSisters also had me paint the walls at the far end with notable university buildings from around the city.
On a completely different theme, The Three Sisters asked me to reflect the Cowgate location of the bar in another mural. The venue is surrounded by a maze of vaulted arches that hold the buildings of the area up, and so I painted a map to the vaults under George IV Bridge with a pop art/brightly coloured feel.
The whole job was done to deadline in under a week, just after the Edinburgh Festival finished but before the onslaught of students for Freshers Week.
Fingers crossed it will keep the students happy and ultimately lead to increased footfall through the door – always the mark of a successful project for me!
The Aftermath Dislocation Principle (ADP) is a trilogy of artworks by Jimmy Cauty on a nationwide tour across the UK – each artwork is a 1:87 scale model housed in a shipping container, which are viewed through observation ports in the sides of the containers. It was also installed at Dismaland, the temporary art project organised by street artist Banksy and constructed in the seaside resort town of Weston-super-Mare in Somerset, England in 2015.
The artwork has been touring the UK in 2016, specifically appearing in venues where there has been a history of rioting. Edinburgh’s Grassmarket was chosen as one of the tours destinations as it was the scene of the 1736 Porteous Riots, when Captain John Porteous, an unpopular chief of the City Guard, was overseeing the hanging of a local smuggler Andrew Wilson. When the watching crowds began to get unruly, Captain Porteous instructed the City Guard to shoot above the crowd’s heads and they subsequently wounded local residents who were watching from tenement windows. This exacerbated the already volatile situation, at which point Porteous instructed the the City Guard to shoot into the crowd, resulting in the deaths of six people.
Captain Porteous was arrested for murder but after discovering that plans were afoot to arrange a pardon for him, a mob converged on the Tolbooth on the Royal Mile and he was dragged out of his prison cell and back down to the Grassmarket, where he was lynched, dying a deeply unpleasant death. Captain Porteous was buried in the adjacent Greyfriars Kirkyard in a grave marked with a simple ‘P’. This was replaced in 1973 by a stone bearing his full name and the moniker ‘All passion spent’.
Ahead of the closing weekend of the ADP Riot Tour’s installation in Edinburgh, I was asked by the Greater Grassmarket Business Improvement District (BID) and events organisers Too Much Fun Club to paint a mural of the scene alongside renowned Scottishstreet artist and illustrator, Elph. Working on connected octagonal boards, Elph and I engaged visitors to the Grassmarket as we worked on our separate but related public art works.
Elph invited audience participation with hands-on painting by the public, and I convinced visitors to pose for portraits to be incorporated into the scene. My crowd scene painting was inspired in part by James Drummond RSA who painted the riot in 1855.
Our pictures were situated back to back over the weekend and it was really great to have the two different styles complement and contrast one another and in an unintentional twist, even our clothes ended up matching our paintings.
Elph also created some fantastic 360 degree footage of the two murals which can be viewed here: Elph 1 and Elph 2
The Oz Bar has been serving Edinburgh for more than twenty years and it has a strong legacy of artwork, including a boxing kangaroo and a few mini murals dotted around the premises. I was asked me to come in and give the place a brand new street art edge, smartening up the main space and toilets whilst retaining the pub’s character.
The ceiling of main bar had already been painted a dark green so I used this as a background for a huge image of a shark and a crocodile in combat. This is so big that you can only read it as you walk through the space.
To complement this and to add clarity, I painted an acrylic picture of ‘pool sharks’ hustling for above their table.
To emphasise the Australian theme we smartened up their signs by giving them an Aboriginal design throughout and also painted a massive new Australian flag as a frame for one of their existing pictures.
The male toilets have the familiar piquant aroma that many pubs can have, so I thought it would be funny to booby trap them with dangerous animals, as though the smell was venom. There is now a large funnel web spider trying to bite customers while they are on the throne and a tiger snake striking at their willies when they are having a wee.
The ladies loos has a gentler feel but perhaps no less dangerous, as it’s been decorated to feel as if you have stepped into a star-clad jellyfish. Both rooms are designed to be an entirely immersive experience.
The end result uses some of the Oz Bar’s well-established artwork to its best advantage, and the new additions blend seamlessly with the old, making it feel like it’s always been that way. Since the project was completed there has been an exponential increase in business – alongside the Edinburgh natives, students and tourists have come in droves and the pub is always lively, but not at the expense of their regulars’ happiness.
The Oz Bar is set for a new and exciting phase of trade and it’s great to know the artwork has made a difference.